We start the episode off with a disclaimer from Fox. This episode will deal with gun violence. I’ll admit that I was extremely skeptical when I heard Glee was taking on this topic. All I could picture was them being trapped in the choir room and singing their feelings to each other. If there was any music at all during the shooting sequence, I was going to be really upset. Anyone who has been through a lockdown drill (which you’ve done if you’ve been in school since Columbine) knows the key to safety in such a situation is to be as silent as possible. I also thought there was no way Glee could do nearly as well with this issue as other shows that have taken on the topic. In particular, I thought Degrassi dealt with the issue in a masterful way. While this episode wasn’t near Degrassi’s level, I was very pleasantly surprised. The writers managed to be sensitive to the topic without it feeling too exploitative. The actors also got to show off some amazing dramatic skills.
There are no previouslies this week. There are also no New York scenes. The episode takes place solely at McKinley.
We open with the glee club in the auditorium as Mr. Schue is reading the names of their competitors at Regionals. New Directions will compete against the Hoosierdaddies and the Nuntouchables. Please let the second one be singing nuns. Please. Brittany comes in and announces that a deadly asteroid is headed toward the Lima area. Basically, everything to do with the Brittany plot in this episode is incredibly stupid. As someone in the glee club points out, it’s a repeat of the Christmas plot where she and Sam were worried about the Mayan apocalypse. For the first quarter of the episode, we get to deal with this stupidity. She dubs the asteroid/comet/meteorite Tubbington Bop and says it’s headed straight for McKinley.
Previously on Glee: Santana accused Brody of being a drug dealer, but he was actually a prostitute. She told Finn and he went scary violent on Brody’s face. Rachel is in the dark about everything. Finn kissed Emma, so Will is mad at Finn. However, Finn decided to start college in the middle of the semester to become a teacher. Blaine has a crush on Sam, which they’re apparently going to bring back in this episode.
Blaine goes up to Sam in the hallway and hands him fifty bucks. Sam wonders why Blaine’s giving him all that money. Blaine explains that he saw Sam stealing food from the cafeteria and wants to help. He knows that Sam’s dad is still struggling and he wants to do his part to help. However, Sam isn’t stealing food because his family is starving. He’s stealing large quantities of macaroni because he really enjoys making macaroni art. Sam takes Blaine to see his macaroni portraits. He’s done portraits of Emma Stone, LeAnn Rimes, Ralph Macchio, the Duck Dynasty cast, and for some reason, Kurt. Blaine thanks Sam for sharing his secret. In return, Sam would like to know what Blaine’s guilty pleasure is. As he stares longingly at Sam’s lips, Blaine says that he really loves Wham. Tina pops her head in to let them know what Will is out with the flu, so practice is canceled this week. Sam makes a joke about Tina going to Mr. Schue’s house to straddle him and rub ointment on his chest. Tina is not amused. The rest of us are, though. Blaine and Sam decide to lead practice themselves.
The club comes into rehearsal, where Sam is literally twirling and jumping around with joy. They designate this as “guilty pleasure” week. Ryder asks why they’re bothering these songs if they aren’t going to consider them for regionals, but Blaine says it’s more of a team bonding thing. He goes on (for an uncomfortably long time) about how he and Sam were just chatting “like two bros do” and felt safe enough with each other to reveal their secrets. They want everyone in glee club to do the same thing. Blaine and Sam kick the week off with their rendition of Wham!’s “Wake Me Up Before You Go-Go,” complete with neon 80s clothes. Best of all, though, they let Darren have his naturally curly hair for the routine. It’s so nice when his hair isn’t gelled within an inch of its life.
Previously on Glee: Finn kissed Emma and the shit hit the fan. She left Will at the altar. Finn stupidly told Will instead of letting Emma decide if she wanted him to know. That’s all we get for the previouslies and it’s set to super dramatic music. That would have been more effective had the previouslies gone on just a bit longer.
We’re in the choir room where Finn and Will are sitting, being lectured by Tina, Artie, and Blaine. Apparently, the tension has been getting out of control. Will has been sending Finn on stupid errands and then ridiculing him when something isn’t done perfectly. He’s also been giving backhanded compliments to other glee club members, just to hurt Finn. I know that Will is upset, but he’s not even acting like a high schooler. This is straight-up middle school bullshit. Blaine announces this week’s theme: musical feuds. Tina and Artie reiterate that regionals are coming up and their coaches need to stop behaving like children and get back to focusing on their damn jobs. So, Finn and Will have to perform a song together based on a musical rivalry.
Santana and Rachel are at a clinic. Apparently, Rachel’s pregnancy test was a false alarm, so she’s in the clear. Rachel thanks Santana and then tells her she’s heading to class. Santana can’t believe Rachel is acting so nonchalant about everything. She tells Rachel that this is a wake-up call and it’s time to start thinking about her life choices, especially Brody.
Every now and then, when I think Glee is really start to grow in terms of plot development, Ryan Murphy proves me wrong and throws in a ridiculous theme episode that serves absolutely no purpose. This week’s theme, songs from movies!
Previously: Jake and Marley are together, but Ryder kissed Marley. Will and Emma are together and about to get married, but Finn kissed Emma. She then proceeded to have an epic meltdown and left Will at the altar. Tina had a really creepy crush on Blaine. Lots of people hooked up at Will and Emma’s non-wedding. Rachel thinks she’s pregnant. Santana moved into the Hummelberry + Brody loft. Brody has some sort of side business going on that requires him to frequent hotels and get paid in large amounts of cash.
Since this is dedicated to movie music, we get a lot of ridiculous stand-alone scenes that do nothing to further the plot. In fact, we get one to start off the episode! We start off with Will and Emma performing Fred Astaire’s “You’re All the World to Me” in a black and white scene that is basically a scene straight from the 1951 musical “Royal Wedding,” complete with climbing the walls. Since we know that Emma and Will are on the outs, this is clearly a dream sequence.
However, it provide Schue with inspiration for this week’s theme. That’s right, his ridiculous dream led to this episode being inflicted upon us. Kind of like how Stephenie Meyer’s dreams led to Twilight. You know, I have lots of stupid dreams. I might share them as a quick anecdote in conversation if they were particularly humorous, but I don’t go around forcing mass audiences to share my crazy ass subconscious. Let’s learn from that, shall we, Will?